Artist’s studio palette
bean hollow state beach, san mateo county
after a long pause, she is blooming again
Fitzgerald Marine Reserve, Moss Beach
afternoon sun (sketching in western france)
onsite in half moon bay
agapanthus (Half moon bay)
eucalyptus bark clothesline (twins pine park, belmont)
on-site view (san gregorio, near stage road)
The magnolia opening (botanical garden, golden gate park, san francisco)
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“My intent is to paint an emotion that evokes a feeling rather than representation of place.”
Watercolorist, primarily. I strive against being a purist-watercolorist, i.e. allowing other mediums (natural inks, pastels, and/or metallics) to creep into the paintings to express an emotional feeling of place and time.
After four decades in the field of graphic design — beginning with T-squares, triangles, radiograph pens, and vellum, when delete was an electric eraser or knife blade and ending with digitized, electronic files delivered via e-mail, I have paused the “command Z” keyboard stroke and returned to my first love, marks on paper.
In 2022, wielding a brush, watercolors and paper, I moved from the blue screen to the blue skies and joined the Bay Area Plein-Air Painters group. I am drawn to the multitude of colors that I observe as the morning sun
shifts,
dances,
and creeps
across the landscape into the afternoon sunlight during the three hours we paint outdoors. I prefer plein-air (open air) painting as an emotionally, expressive starting off point but allow space for the finished work to percolate inside my studio.
@dimurovart
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